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Kunsthaus Bregenz (2004)
Kojève suggests that in creating (rather than replicating) beauty
For over half a millennium
In addressing these themes
How can we begin to formulate a progressive politics—or even a vision of the future—by listening to the Earth
Ciarán Finlayson: Perpetual Slavery Cerith Wyn Evans Kunsthaus Bregenz (2004)Floating Opera Press, 2023, Softcover, 80 pages, 17 12 cm In Perpetual Slavery, Ciarn Finlayson investigates the relationship of art to freedom in the work of Cameron Rowland and Ralph Lemon, who both utilize imagery of labour haunted and structured by the historical experience of slavery. Finlayson suggests that these two artists work overcomes the dichotomy between the recording of history and its interpretation by making both the object of artistic
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